![]() They work in a similar way to compressor plugins, but instead of reducing the gain by looking at the entire signal, their gain reduction only takes effect when the most sibilant frequencies kick in. During the mix you might even bring out these qualities with EQ and compression for an even more powerful, larger than life sound.īut with all this emphasis on the high frequencies, the issues created by sibilance get even worse.Įven if you might not have noticed it while you recorded your vocals, sibilance can creep up in your mix.ĭe-essers are how you reduce it. The airy upper high end they capture helps create a sense of realism and intimacy. To do it well, they need to be sensitive enough to record a wide range of frequencies. Vocal microphones are designed to capture all the subtle details in the human voice. The extra intensity in this area helps your brain tell words apart, but aggressive sibilance can sound distracting on a recording. The ‘S’ sound naturally contains a lot of energy in the frequency range where your ears are the most sensitive. ![]() Sibilance is the grating, unnatural sound that can sometimes occur during recording when a vocalist sings words including the letter S. If that sounds complicated, all it means is that de-essers help even out the harshest parts of a vocal recording. In this article I’ll go through everything you need to know about de-essers to mix better sounding vocals. How do de-essers work, and what do they actually do? When should you use a de-esser, and how do you use it? With such a specialized effect, it can be hard to know where to start. They help reduce the effect of one of the most frustrating issues in vocal recording.
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